Exploratory trip to Orchha-Jhansi In the part of Central India known as Bundelkhand the monument of Orchha stands testimony to the grandeur of the Bundela style of architecture. Literally meaning ‘Hidden place’, Orchha, is now just a few streets within a wonderful complex of well-preserved palaces and temples. The picture-book setting of spires and domes breaks the skyline in every direction. Orchha’s peaceful beauty makes for a very relaxing place to explore. In
step with our passion to discover more & more of real India, Life
Away From Life plans to visit yet another less-explored treasure
in the heart of our country. Moreover, nature has endowed Orchha with serene environment - with the river and resplendent forest and vegetation providing a fascinating backdrop. So, all are welcome who specially fancy a swim in Betwa - one of the cleanest rivers in India! Life Away from Life plans to step into a time-wrap! Orchha, in the months of Nov, Dec 2010 & Jan , Feb 2011
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Details:
Excursion
Cost : Ex Jhansi Cost includes Contact
for participation email : prateekdeo@gmail.com A
Life Away From Life venture.
ABOUT ORCHHA - Orchha was founded in the 16th century by the Bundela Rajput chieftain, Rudra Pratap, who chose this stretch of land along the Betwa river as an ideal site for his capital. Of the succeeding rulers, the most notable was Raja Bir Singh Ju Deo who built the exquisite Jehangir Mahal, a tiered palace crowned by graceful chhatris. From here the view of soaring temple spires and cenotaphs is spectacular. The architectural
style of Orchha is predominated by the use of domes, brackets,chajjas,arches
and pillars. The Jahangir Mahal is the most grandiose structure in Orchha.
The Raja Mahal is another monument of historical importance as is the
Rai Praveen Mahal. With their rich historical background, these places
hold great value for The Bundela style evolved from an initiative taken by Rana Kumbha(1428-68)in the palace at his capital Chittorgarh.The later buildings at Chandauri and Orchha were further steps in the same direction. This style may be defined as based on the contemporary productions of the Muslims as these evolved under the Sultans of Delhi, but overlaid with elements of indigenous Indian extraction to suit the taste, mode of living and traditions of the Rajput rulers. Complementing the noble proportions of their exteriors are interiors which represent the finest flowering of the Bundela school of painting. In the Laxminarayan Temple and Raj Mahal, vibrant murals encompassing a variety of religious and secular themes, bring the walls and ceilings to rich life. In this medieval city, the hand of time has rested lightly and the palaces and temples built by its Bundela rulers in the 16th and 17th centuries retain much of their pristine perfection.
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